Lady Gaga Poker Face Photos
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Lady GaGa has never been shy about her sexuality but it seems that in the past she wasn't as keen to let on to her lovers that she was bisexual. Now considered a gay icon, Gaga attributes much of her fame, especially in the early stages, to the LGBT community and campaigns for gay rights across the world.
Lady Gaga Has Revealed The Inspiration For Her 'Poker Face' Hit.
The singer performed at an exclusive gig in December at London's Mayfair's private member's club, hosted by Belvedere vodka. In front of a star-studded audience, which included singer Adele, Gaga treated her fans to a little intimacy.
Watch Lady Gaga's Stunning Belvedere 'Poker Face' Performance Here:
Gaga arrived on stage an hour late through a cloud of smoke wearing a bouffant Marie Antoinette wig, glitzy leotard and sparkly boots. She joked: 'I just wish I always had fog when I walked in anywhere. I just want it to come right out of my purse!'
During a slowed down lounge session of her No.1 hit 'Poker Face,' she paused to regale the crowd with the story of how the song came to be. 'You know his song is actually about when I was making love to this guy that I was dating a long time ago,' she said, adding 'I was thinking about chicks every time we had sex' to a low level rumble of chortling.
Gaga's Hit Was Inspired By Not Being Able To Let On That She Thought About Women During Sex.
'And I just didn't want him to figure it out because I felt so bad,' she added in a sheepish voice. 'But I don't anymore because I wrote a song about it,' she said, causing wave of laughter throughout the audience.
In an interview with Rolling Stone, the 27 year-old revealed how her boyfriends tend to react to her bisexuality and open mind towards sexual exploration. 'The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you',' she explained.
Gaga's Emotions & Personal History Influence Her Music.
Rather than performing run-of-the-mill, manufactured pop songs as many other stars do, Gaga's personal meaning behind each of her songs and influencing factors for her albums endear her fans and cut through the pervading weirdness of her stage persona. More, please!
A video supposedly showing the mastermind behind the 9/11 terrorist attacks in the U.S., Osama bin Laden, singing Lady Gaga’s “Poker Face” has circulated online for several years. The video is frequently shared along with the caption: “Osama Bin Laden Sings Lady Gaga’s ‘Poker Face’ in Last Days on the run”:
This is not a genuine video of bin Laden singing “Poker Face.”
This video was created by Alison Jackson, an artist and photographer known for using look-alikes to depict famous celebrities and politicians in compromising situations. We’ve previously covered some of her other work, such as this fake photograph of Bill Clinton getting a massage, or this image of President Donald Trump getting a spray tan in the oval office.
In June 2011, a few months before the above-displayed footage went viral, Jackson shared this footage to her Facebook and YouTube pages:
Jackson captioned the footage: “Rare, unseen video footage filmed shortly before his death. The world’s most infamous Osama Bin Laden sings and dances to Lady Gaga. Watch Bin Laden sing his own version of ‘Poker Face.'”
Free Lady Gaga Poker Face
She uploaded another video presumably featuring the same look-alike actor that supposedly showed bin Laden and his favorite hair-care product: L’Oreal. Jackson wrote: “Watch recently discovered footage of America’s former most-wanted man on the run — is this an unexpected vain side to the Al-Qeuda leader?”
Lady Gaga Poker Face Photos Free
In short, the viral video supposedly showing bin Laden singing “Poker Face” doesn’t feature the deceased terrorist leader but a look-alike acting the part for an art piece.
Lady Gaga
Here’s how these “mental images” are described on Jackson’s website:
“Alison Jackson is renown for her explorations into how photography and the cult of the celebrity have transformed our relationship to what is ‘real’. Her notorious photographic portraits, life-like sculptures, films and videos are startlingly realistically staged affairs that cast uncannily styled actors into an entirely fathomable projection of a future that could have been; or the intimate, often salacious, imagined private moments of media icons such as Diana Princess of Wales, the Queen of England, Marilyn Monroe, George Bush, Brad and Angelina, and David Beckham. Jackson’s productions stress-test the implicit belief that a photograph can capture a frozen moment of ‘truth’.”
‘At best, a photograph of a celebrity reproduces something authentic only at the very moment the shutter clicks’ says the artist ‘yet we have been teased into giving these moments an absolute and unquestioned authority. However, what we actually do is create a narcissistic circle where we assert our control over the object of desire: we transform our celebrities into what we want. This whole projective process is further exaggerated by our capacity for fantasy and the inherently titillating nature of the image of a celebrity like Marilyn in flagrante. In this way, my productions, charged with desire, have become more real than the real life model they are based on, evolving into a ‘mental image’ rather than a direct record of reality.’
Jackson’s staging, her subversive form of social commentary which has its historical roots in artist William Hogarth, strips away the veneer of PR and hype that prop up the celebrities that come under her scrutiny. Unlike the paparazzi photo, where the actual real celebrity is caught on film in a frozen moment in time, Jackson’s productions – where the likenesses are recognisable – use the celebrity aura to address a deeper universal lineage, the archetypal characters that define the history of human identity and the often humorous struggle of how they cope in the age of mass mediation.